Kiki Smith

Looking at Kiki Smith these days, a couple of her prints are below, "All Souls" and "Untitled (Baby Heads).

I found a great interview between Kiki Smith and Chuck Close which is located here ... I loved the conversation between these two, and responded deeply to a couple of things said by Kiki Smith. She mentioned that on a plane ride, an environmental scientist she sat next to told her that after one year, you've breathed all the air that everyone's breathed in and out that year and in her words, she thinks that the "whole history of the world is in your body"

In discussing the repetitious nature of her work, she talked about screen-printing, and despite the fact that she is making exact copies, every time she duplicates an image it changes.

 In working with a baby, there is a rhythm that is both linear and circular, and though every day is different, they are stamped from the same mold. This is an idea I'm working with as I consider how to structure the video footage I've collected from Caspar's perspective.

I loved Kiki Smith's "Mary Magdalene" (pictured above) because of the unforgiving tactile nature of the body. Lately I have been considering the body in a tactile sort of way, probably because motherhood is an unrelentingly touching role (in the most literal sense). In creating and nurturing a human being, I continually relinquish the idea that my body is autonomous.

Books - Naomi Wolf

A couple of books by Naomi Wolf were suggested and today I ordered them -
Vagina: A New Biography

and The Beauty Myth

Looking forward to reading these when they arrive!

Janine Antoni

It was recommended that I investigate the work of Janine Antoni, an artist who works photographically as well as with performative sculpture. One of her pieces in particular, "Lick and Lather," was discussed as an example of how to use process and gesture as a method to create a self-portrait.

"Lick and Lather" is a set of two busts of the artist herself, one cast into chocolate, and one cast into soap. She licked her chocolate replica until it was resculpted, and took the soap bust into the bathtub with her and washed herself with it until the facial details wore away. I found a great Art21 interview with Antoni about "Lick and Lather" here.

She speaks about process extensively, but I was especially interested in her idea of "unmaking in order to make," and the kind of relationship she develops with her "self" in chocolate and in soap form - the idea that with the chocolate, she is feeding herself with herself, and with the soap she is washing her self with herself in a kind of circular narrative. She spoke about how she felt closer to the soap, because she had spent a lot of time in the tub with it, rubbing it down until the washing away of the features made the bust become almost fetal in nature. She related this idea of cleansing to purity -and how in her purity the soap bust disappears. Her relationship to the chocolate bust was entirely different - she mentioned how peculiar it feels to lick oneself - the desire and sexuality implicit in her consumption of herself. I like how she defined a conceptual structure in order to inform how she interpreted the idea of a self portrait. I want to borrow her method of beginning with a representation of herself and using removal in order to create something new.

I also gathered a couple of her photographs

This photograph struck me because of its uncanny intimacy, and the way the gesture of licking is used in a different medium than the chocolate bust. There is a sexuality to the photograph and yet it is not really comprised of sexual elements.

 In thinking about intimacy as a theme in my work, I am curious to see what happens when intimacy is boiled down to its basic elements - does it become sexual, sensual, uncomfortable, loving?

This is such a strange gesture between mother and child, and in thinking about what she said about her chocolate bust - that she was feeding herself with herself - it is interesting that this specific gesture can carry over thematically from sculpture to photography. 

The dark humor of both of these photographs is also striking. It raises the question of how we use humor to deal with interactions that make us uncomfortable.

 

Bloggy

I'm not what some call a "blogger," in fact this my first ever blog post. It is a dark, wet, soggy sort of night which seems an appropriate setting for anything bloggy. Anyway, now that this irrelevant first blog is out of my system future posts on here will be project related only.